Behringer UB1002 User Manual Page 12

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12 EURORACK UB1202FX/UB1002FX User Manual
4. Installation
4.1 Mains connection
AC POWER IN
Connect the power supply to the 3-pin mains connector on the rear of the
console. Use the AC adapter supplied to connect the console to the mains.
Theadapter complies with all applicable safety standards.
Please use only the power supply unit provided with the console.
Never connect the EURORACK to the power supply unit while the latter
is connected to the mains! First connect the console to the power
supply unit, then connect the power supply unit to the mains.
Please note that both the power supply unit and the mixing console
heat up considerably during operation. This is completely normal.
4.2 Audio connections
You will need a large number of cables for dierent applications.
Theillustrationsbelow show how the connectors should be wired. Be sure to
useonly high-gradecables.
Please use commercial RCA cables to connect the CD/tape inputs and outputs.
You can, of course, also connect unbalanced equipment to the balanced
inputs/outputs. To do this, use either mono plugs or stereo plugs with the ring
and sleeve bridged (pins 1 and 3 in the case of XLR connectors).
Caution! Never use unbalanced XLR connectors (PIN 1 and 3 connected)
on the MIC input connectors when using the phantom power supply.
output
For unbalanced use, pin 1 and pin 3
have to be bridged
1 = ground/shield
2 = hot (+ve)
3 = cold (-ve)
input
12
3
1
2
3
Balanced use with XLR connectors
Fig. 4.1: XLR connections
strain relief clamp
sleeve
tip
sleeve
(ground/shield)
Unbalanced ¼" TS connector
tip
(signal)
Fig. 4.2: ¼" mono plug
strain relief clamp
sleeve
ring
tip
sleeve
ground/shield
For connection of balanced and unbalanced plugs,
ring and sleeve have to be bridged at the stereo plug.
Balanced ¼" TRS connector
ring
cold (-ve)
tip
hot (+ve)
Fig. 4.3: ¼" stereo plug
strain relief clamp
sleeve
ring
tip
sleeve
ground/shield
¼" TRS headphones connector
ring
right signal
tip
left signal
Fig. 4.4: Stereo plug for headphones connection
5. Specications
Mono Inputs
Microphone Inputs (IMP “Invisible” Mic Preamp)
Type XLR, electronically balanced,
discrete input circuit
Mic E.I.N. (20 Hz - 20 kHz)
@ 0 Ω source resistance -132.7 dB / 137 dB A-weighted
@ 50 Ω source resistance -130 dB / 133.9 dB A-weighted
@ 150 Ω source resistance -127.1 dB / 130.9 dB A-weighted
Frequency response <10 Hz - 200 kHz (-1 dB)
Gain range +10 to +60 dB
Max. input level +12 dBu @ +10 dB gain
Impedance approx. 2.6 kΩ balanced
Signal-to-noise ratio -107 dB / -111 dB A-weighted
(0 dBu In @ +22 dB gain)
Distortion (THD + N) 0.005% / 0.003% A-weighted
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