Behringer FEEDBACK DESTROYER PRO DSP1100P User Manual download pdf (Page 25)

the monitor path and in single channels with critical signals. If there is no other way to eliminate feedback, you

can insert the FEEDBACK DESTROYER into the main mix bus. Unless your mixing console has dedicated

insert points for the main mix bus, you can simply connect the FEEDBACK DESTROYER between mixing

console and power amp. If required, adapt the levels with the Operating Level switch (see 3.4).

Wire the unit as shown below:

Master Out

P.A. System

Fig. 6.3: Using the FEEDBACK DESTROYER in the main mix bus

6.3 Using the FEEDBACK DESTROYER in single channels and sub-groups

If you want to make sure that deliberately produced feedback signals, such as “guitar feedback”, are not

eliminated, you should try inserting one or several FEEDBACK DESTROYER`s into single channels (e.g.

vocal mics) which are susceptible to feedback. Or, you could use the sub-groups of your mixing console by

routing any channels susceptible to feedback (e.g. all vocal mics) to one or several sub-groups. Thus, all less

critical signals (e.g. line signals, lower-level instrumental microphones) can pass through the mixing console

unaltered, while only the critical microphone channels are monitored from the FEEDBACK DESTROYER. In

this way, you can protect your P.A. system against feedback and still use “wanted” feedback signals.

6. APPLICATIONS

1 2 ... 20 21 22 23 24 25 26 27 28 29 30 31 32

No comments

Behringer FEEDBACK DESTROYER PRO DSP1100P User Manual Page 25