Behringer XV User Manual download pdf (Page 7)

X V-AMP

FUNCTION. As soon as any second-layer function on

the FX/AMPS control is dialed up, 2

FUNCTION LED lights

up.

FX/AMPS. A LED on the FX/AMPS control indicates the

current AMP model. If the 2

FUNCTION LED is also lit up,

youre dealing with one of the second-layer AMP models

(gray); if not, then one of the first-layer AMP models is

selected (white). By turning FX/AMPS (and by holding tap,

if necessary), you can switch to another AMP model.

IF the effect block is selected (MODULATION , DELAY

or REVERB LED blinks), the respective effect

type can be read-off and selected using the FX/AMPS

control. By turning the FX/AMPS control (and by holding

TAP, if necessary), you can switch to another effect.

+ If one of the AMPS LEDs lights up (right half), use

ADJUST to control either GAIN or VOLUME.

+ If one of the EFFECT LEDs lights up (left half), use

ADJUST to control the respective effect parameters.

The DISPLAY indicates which preset has been selected

and gives information on the modifications done during

editing. When the TUNER is activated, the DISPLAY indi-

cates which tone is played on the instrument you connected

to your X V-AMP.

Fig. 2.1: X V-AMP display

DOWN. Use this footswitch to dial down presets (99 - 00,

downwards). Keep the footswitch depressed longer to

skip through the presets downwards.

UP. Use this footswitch to dial up presets (00 - 99, upwards).

Keep the footswitch depressed longer to skip through the

presets upwards.

+ By simultaneously pressing both footswitches, the

TUNER/BYPASS mode is activated. To deactivate it,

you can simply press one of the footswitches.

Additional information on the TUNER can be found

in chapter 7 TUNER.

EXPRESSION PEDAL. The expression pedal controls

(among others) the Wah Wah effect. The switch located

beneath the pedal switches the Wah Wah on and off in this

case.

PEDAL ASSIGN lets you assign another function to the

pedal (e. g. volume, effect intensity etc.). See also .

LINE OUT/PHONES. You can take the audio signal of

your X V-AMP at the LINE OUT/PHONES connector. You

can either connect your headphones to the X V-AMP, or

connect the X V-AMP to a mixer.

MONO AMP OUT. Connect the input of your guitar amp

here. In contrast to the LINE OUT/PHONES signal, this

signal is reproduced with a level that is 20 dB lower.

INSTRUMENT INPUT. This is the 1/4" jack input of your

X V-AMP. Connect your instrument here. Always use high-

quality 1/4" mono jack cables.

AC IN. Connect the enclosed power supply to the AC IN

connector. As soon as you plug the power supply into the

mains, your X V-AMP is automatically on. More information

on the power supply can be found in chapter 9

SPECIFICATIONS.

3. OPERATING MODES (CONFIGURATIONS)

SERIAL NUMBER.

3. OPERATING MODES

(CONFIGURATIONS)

An outstanding characteristic of the entire V-AMP product line

is the freedom to personally select which signal segments

(according to your own needs and desires) will be fed to the

outputs. To optimally adjust your X V-AMP to various studio and

live situations, you can select one of the 9 possible configurations.

These configurations assign where individual signals for line

outputs and headphone outputs are coming fromand all this

independent from the settings stored in the presets.

3.1 Selecting a CONFIGURATION

When you press NOISE GATE and COMPRESSOR at

the same time, CONFIGURATION mode is activated or

deactivated. The key LEDs are blinking as long as you are in

CONFIGURATION mode.

Dialing up individual configurations in CONFIGURATION mode

is done by using NOISE G. and COMPR. . A table with

the respective configurations is shown below.

Volume is adjustable globally by using the ADJUST control.

Input gain can be adjusted using ADJUST + TAP, so that you

can adjust your X V-AMP globally to instruments with varying

output signal levels, whereby the following goes: a higher setting

is for quieter instruments, and a lower setting is for louder

instruments.

(without

speaker and

amp

simulations)

Increasing bass and highs

Accentuation of upper mids, lowering of

bass tones

Neutral EQ

Increasing bass and highs

Accentuation of upper mids, lowering of

bass tones

(without

speaker

simulations)

Accentuation of upper mids, lowering of

bass tones

Neutral EQ

(with all

speaker and

amp

simulations

Neutral EQ

Increasing bass and highs

Tab. 3.1: Operating modes (CONFIGURATIONS)

1 2 3 4 5 6 7 8 9 10 11 12 13

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Behringer XV User Manual Page 7

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