22 23EURODESK SX4882 Quick Start Guide
(1) (2)
(6)
(5)
(16)(7)
(11) (17)(10) (9) (8)(4)
(3)
(15)
(14)(12) (13)
Rear panel
EURODESK SX4882 Controls EURODESK SX4882 Controls
(EN) Controls
(1) Expander port bus inputs. If you want to
add another console to your EURODESK SX4882,
the expander portbus inputs give access to all
su/jointfilesconvert/331589/bgroups, auxes and mix busses via an array of
¼"jacks, situated top left on the rear panel.
(2) Auxiliary sends. Unbalanced ¼" jacks, wired
tip = signal (+ve) and sleeve = ground/screen.
Theyoperate at +4 dBu.
(3) Auxiliary returns. All six stereo pairs, to
be located immediately below the aux sends,
areonunbalanced ¼" jacks and operate at 0 dBu.
(4) Su/jointfilesconvert/331589/bgroup inserts. Unbalanced send and return
from a single stereo jack socket, wired tip = out,
ring= in and sleeve = ground/screen.
(5) 2-track in/out. RCA sockets for use with tape
recorders, etc., signal = main mix, wired center
post = signal (+ve) and sleeve = ground/screen.
(6) 2-track/external inputs. Two additional
stereo inputs, this time on unbalanced ¼" jacks,
wiredtip=signal (+ve) and sleeve =
ground/screen.
(7) Main inserts. As above, but for the main mix.
(8) Stereo outputs. The control room output
(monitors) main mix, MIX-B and studio output
are all on a pair of unbalanced ¼" jacks, nominal
output level +4 dBu.
(9) Phones 1/2. These are on stereo jacks, wired tip =
left signal, ring = right signal and sleeve=
ground/screen.
(10) Meter/analyzer out. Unbalanced jacks at +4
dBu for use with external measuring equipment,
e.g.thebuilt-in real-time analyzer of our
BEHRINGER ULTRACURVE PRO DEQ2496 (signal =
master LEDmeters).
(11) Master balanced outputs. Balanced XLR for
connecting to the mastering recorder. Wired pin 1
ground/screen, pin 2 hot and pin 3 cold. Maximum
level is +28 dBu.
(12) A-channel line inputs. The A-channel line inputs
accept balanced or unbalanced ¼" jacks, tip = hot,
ring = cold and sleeve = ground/screen.
(13) Mic inputs. These are via XLR-type connectors,
wired pin 1 = ground, pin 2 = hot and pin 3 = cold,
for balanced low-level operation. Since most
quality capacitor microphones require a 48 V
DC oset to charge the plates, phantom power
is provided and can be switched on or o in
three blocks of eight via a switch situated below
channels 8, 16 and 24.
(14) Channel inserts. These provide for unbalanced
send and return from a single stereo jack socket.
Wiring is: tip = out, ring = in and sleeve =
ground/screen.
(15) Direct outputs. This tap comes from just after the
channel fader. Unbalanced ¼" jacks.
(16) B-channel inputs/tape returns. They also
accept balanced or unbalanced ¼" jacks and
are switchable, ingroups of eight, between
-10dBV (unbalanced) and +4 dBu (balanced),
correspondingto the standard semi-professional
and professional operating levels and
congurations respectively.
(17) Su/jointfilesconvert/331589/bgroup outputs/tape sends. The eight
su/jointfilesconvert/331589/bgroups are each connected to two stereo jack
sockets, for easy patching into 16 track recording
systems (or 24 track, if you use Y-adaptors).
Onceagain, the operating level is switchable
between +4dBu and -10dBV in two banks of
(2x) 4.
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